A detailed etching by George Cruikshank depicting the wedding ceremony of Cinderella and the Prince, originally created for his 1854 Fairy Library series.

This etching by George Cruikshank depicts the final scene from the classic fairy tale, Cinderella. It was created for the publication 'George Cruikshank's Fairy Library', a series that sought to retell traditional stories with a distinct moralising tone. The scene is set within a grand, vaulted cathedral, where the marriage ceremony between Cinderella and the Prince takes place.

Cruikshank employs a high level of detail in the architectural elements, including the pointed arches and ribbed vaulting that define the space. The composition is crowded with figures, reflecting the artist's skill in managing complex, multi-layered scenes. In the centre, the bride and groom stand before the altar, surrounded by a congregation of guests and attendants. The artist uses fine, cross-hatched lines to create depth and shadow, giving the scene a sense of three-dimensional space despite the two-dimensional medium.

Typical of Cruikshank's work, the figures possess a degree of caricature, particularly in the facial expressions and postures of the onlookers. The banners hanging from the rafters and the ornate decorations on the walls add to the festive atmosphere of the royal wedding. This print captures the artist's ability to blend narrative storytelling with technical precision. It remains a representative example of mid-nineteenth-century British book illustration, where the etched line served as the primary vehicle for visual communication before the widespread adoption of photographic reproduction processes. The work demonstrates the artist's preoccupation with social order and ceremony, themes that frequently appeared in his broader body of graphic work throughout the Victorian era.