Francisco Goya's fresco, *The Miracle of St. Anthony*, painted in 1798, adorns the cupola of the San Antonio de la Florida chapel in Madrid, capturing a scene of religious wonder with dynamic composition and emotional intensity.

Painted in 1798, Francisco Goya's fresco, *The Miracle of St. Anthony*, is a work of religious art that exemplifies the artist's mature style. The fresco was commissioned for the cupola of the San Antonio de la Florida chapel in Madrid. Goya completed the work with remarkable speed, finishing it in just a few months. The chapel itself is a small but significant example of late 18th-century architecture. It is known for its intimate scale and the integration of Goya's paintings with the architectural design. The chapel's design reflects the neoclassical tastes of the period, while Goya's frescoes introduce a more dynamic and expressive style. The fresco depicts Saint Anthony of Padua performing a miracle. The scene is filled with a crowd of onlookers, their faces expressing a range of emotions from awe to disbelief. Goya's use of light and shadow creates a sense of drama and movement, drawing the viewer's eye to the central figures. The composition is circular, conforming to the shape of the cupola, and the figures are arranged in a way that emphasises the upward movement towards the light source at the top. The colour palette is dominated by muted tones, with touches of brighter colours used to accentuate certain details. The overall effect is one of dynamism and emotional intensity, characteristic of Goya's approach to religious subjects.