A classic illustration by Edmund Dulac from his 1909 edition of The Rubaiyat of Omar Khayyam, depicting a potter at work in a marketplace.

This illustration by Edmund Dulac was created for the 1909 edition of Edward FitzGerald's translation of The Rubaiyat of Omar Khayyam. Dulac was a central figure in the early twentieth-century movement of gift-book illustration, a period defined by the production of high-quality, colour-plate volumes. His work for this specific publication is often considered his most successful contribution to the genre.

The scene depicts a potter at work, a subject that mirrors the philosophical themes of transience and creation found within the verses of the poem. Dulac employs a muted palette, relying on soft ochres, dusty blues, and terracotta tones to evoke the atmosphere of a bustling marketplace. His technique combines precise ink outlines with delicate watercolour washes, a method that allows for both narrative clarity and atmospheric depth. The composition is structured to draw the eye toward the central figure of the potter, whose hands are positioned over the clay, while the surrounding figures provide a sense of scale and activity.

Dulac's approach to the Rubaiyat was heavily influenced by Persian miniature painting, yet he adapted these stylistic elements to suit the expectations of the Edwardian reading public. The figures are rendered with a degree of naturalism that balances the decorative requirements of the book page. The architectural elements in the background, such as the arched doorway and the suggestion of a street scene, provide context without overwhelming the primary action. This print captures the specific aesthetic of the period, where the physical book was treated as an object of art. The attention to detail in the clothing and the ceramic vessels reflects Dulac's interest in historical accuracy, which he blended with his own imaginative interpretation of the text.