The Yellow House - Vincent van Gogh
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A depiction of the artist's residence in Arles, featuring bold yellow architecture against a deep blue sky.
Painted in September 1888, this work depicts the house on Place Lamartine in Arles where Vincent van Gogh rented four rooms. The artist moved into these premises in May 1888, hoping to establish an artist colony. The composition focuses on the corner building, rendered in a striking yellow that contrasts with the deep blue of the evening sky.
Van Gogh applied paint with his characteristic impasto technique, creating visible, directional brushstrokes that guide the eye across the canvas. The street is depicted with a sense of immediacy, capturing the atmosphere of the southern French town. The green shutters and the pink awning of the adjacent shop provide colour balance against the dominant yellow facade.
This painting documents a specific period in the artist's life, shortly before the arrival of Paul Gauguin. The railway bridge is visible in the background, providing a sense of location within the urban environment of Arles. The work is currently held in the collection of the Van Gogh Museum in Amsterdam. It remains a primary example of his use of colour to convey mood and place, rather than strict naturalistic representation. The stark shadows and the intensity of the sky suggest the late afternoon light, a recurring subject in his Arles period.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Yellow House - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like