Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A stylised landscape by Alberto Magnelli, painted before his move to complete abstraction. 'Tuscan Landscape' features slender cypress trees and rolling hills in muted earthy tones.
Alberto Magnelli, an Italian artist born in Florence, is known for his transition from figurative painting to abstraction. Although he began painting at a young age, he was largely self-taught. His early works display influences from Cubism and Futurism, movements that shaped the artistic climate of the early 20th century. Magnelli's move towards abstraction occurred in the 1930s, marking a significant shift in his artistic direction. He experimented with geometric forms and non-representational compositions, establishing himself as a key figure in the development of abstract art in Italy. Tuscan Landscape exemplifies Magnelli's early style, before his complete embrace of abstraction. The painting depicts a simplified view of the Tuscan countryside, characterised by tall, slender cypress trees, rolling hills, and a building with a red roof. The composition is structured with strong vertical lines of the trees contrasting against the softer curves of the landscape. The colour palette is muted, with earthy tones of brown, green, and beige dominating the scene. The overall effect is a stylised, almost geometric interpretation of the natural world, hinting at the artist's future explorations into pure abstraction.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Florentine pioneer of abstraction who made non-figurative Compositions as early as 1915 and spent his mature career at the centre of the Paris abstract circle.
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