Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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A 1921 watercolour by Charles E. Burchfield depicting two weathered houses viewed from beneath a dark railway viaduct.
Charles E. Burchfield created this watercolour in 1921, a period when his work shifted from the imaginative, rhythmic abstractions of his youth toward a more grounded, observational style. The composition captures a quiet, industrial corner of an American town, viewed from the shadowed vantage point beneath a heavy railway viaduct. The dark, solid masonry of the bridge structure frames the scene, forcing the eye toward the two wooden buildings bathed in pale, diffused light.
Burchfield employs a restrained palette of greys, browns, and muted ochres to convey the weathered texture of the clapboard siding and the worn cobblestones. The buildings appear abandoned or forgotten, with empty window frames and a pile of discarded timber resting against a picket fence. The artist uses graphite to define the architectural edges, while the watercolour washes provide depth and atmosphere. The contrast between the oppressive, dark foreground and the sunlit buildings creates a sense of stillness.
This work reflects the artist's interest in the mundane aspects of the American environment. He avoids romanticising the scene, choosing instead to document the physical reality of small-town life during the early twentieth century. The perspective is deliberate, placing the viewer in a position of observation, looking out from the shelter of the viaduct into the open space beyond. The technical execution demonstrates his control over the medium, using thin washes to suggest the play of light across the wooden surfaces. This piece is a representative example of his ability to find visual interest in the overlooked corners of urban architecture, focusing on the interplay of shadow and structure.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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