A classic Fauvist study by Kees van Dongen, depicting a woman in a white dress observing her reflection in a mirror.

Kees van Dongen, a central figure in the Fauvist movement, is recognised for his bold application of colour and his focus on the Parisian demi-monde. In this work, the artist captures a private moment of reflection. A woman stands before a dressing table, her gaze fixed upon her own image in the mirror. The composition relies on the contrast between the dark, heavy furniture and the luminous, pale tone of the subject's dress. Van Dongen employs a loose, expressive brushwork that defines the Fauvist approach. The colours are non-naturalistic, with violet shadows and stark whites creating a sense of atmosphere rather than photographic accuracy. The mirror acts as a frame within the frame, allowing the artist to explore the duality of the subject, who appears both as a physical presence and a reflected persona. The background is simplified, pushing the focus onto the interaction between the woman and her vanity. This piece reflects the artist's interest in the psychological state of his sitters, often portraying them with a sense of detachment or quiet introspection. The heavy, dark wood of the furniture provides a grounding element against the lighter, more fluid treatment of the figure and the surrounding space. Through this arrangement, Van Dongen invites the viewer to observe a fleeting, intimate scene, rendered with the characteristic energy and chromatic freedom that defined his career in early twentieth-century France.