Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Women's Bath - Max Beckmann
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A striking 1922 drypoint by Max Beckmann, capturing a crowded bathing scene with sharp, expressive lines and a distinctively modern, psychological focus.
Max Beckmann produced this drypoint, Women's Bath, in 1922. It represents his engagement with the human figure and social observation during the Weimar Republic. The composition is crowded, featuring several figures in various states of activity within a confined bathing space. A central figure is depicted in a dynamic, inverted pose, diving or jumping into the water, which creates a sense of spatial tension. Other figures stand or sit, their expressions and postures conveying a detached, almost clinical observation of the scene.
Beckmann uses sharp, angular lines characteristic of his drypoint technique. The marks are direct and unrefined, avoiding smooth transitions in favour of raw, expressive energy. The figures are rendered with a degree of distortion, reflecting the artist's interest in the psychological state of his subjects rather than a literal depiction of reality. The patterns on the swimsuits provide a graphic contrast to the fluid, horizontal lines representing the water.
This work belongs to a period where Beckmann moved away from his earlier, more chaotic wartime imagery toward a style that examined the mundane aspects of modern life with a critical eye. The lack of traditional perspective and the compressed space force the viewer to focus on the individual interactions and the physical presence of the bathers. It is an example of the artist's ability to transform a common social setting into a scene of psychological weight. The print demonstrates his mastery of the drypoint medium, where the burr of the copper plate creates soft, velvety blacks that contrast with the stark white of the paper. This piece remains a clear example of the aesthetic concerns prevalent in German art during the 1920s.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Women's Bath - Max Beckmann
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Max Beckmann
Beckmann was dismissed from his teaching post in Frankfurt the day after Hitler's 1937 speech denouncing "degenerate art". He left Germany that same evening and did not return. The speed of the departure, one speech, one night, one exile, defined the rest of his life.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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