A hand-coloured engraving by Johann Sadeler I depicting the biblical figures Zabulon and Issachar, rendered in the distinct style of Northern Mannerism.

This hand-coloured engraving by Johann Sadeler I depicts the biblical figures of Zabulon and Issachar. As a member of the prolific Sadeler family of engravers, Johann was instrumental in the dissemination of Mannerist imagery across Europe. This work originates from a series illustrating the twelve sons of Jacob, a common subject in late sixteenth-century print culture.

The composition is divided into two distinct panels. On the left, Zabulon is shown as a mariner, standing beside an anchor with a ship visible in the background. His attire, including a red cap and blue trousers, reflects the period's interpretation of ancient dress. On the right, Issachar is portrayed as a labourer, accompanied by a donkey laden with goods and holding a shovel. The figures are rendered with the elongated proportions and expressive poses characteristic of the Mannerist style. The background settings provide a narrative context, contrasting the maritime life of Zabulon with the agricultural existence of Issachar.

The print features Latin inscriptions at the base of each figure, which provide moral and descriptive commentary on their respective roles. The application of hand-colouring adds a layer of visual interest, distinguishing the figures from the surrounding landscape. The fine line work demonstrates the technical precision for which the Sadeler workshop was known. This piece offers a glimpse into the intersection of theology, classical iconography, and printmaking techniques during the late Renaissance. It serves as a record of how biblical narratives were visualised and categorised for a learned audience in the sixteenth century.