Collection
Ford Madox Brown
Explore curated art prints selected for distinctive homes and considered interiors.
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Mary Magdalene at the Door of Simon the Pharisee - Ford Madox Brown
Print · Framed · Canvas
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Found - Ford Madox Brown
Print · Framed · Canvas
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A Musical Party - Ford Madox Brown
Print · Framed · Canvas
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Cordelia Parting from her Sisters - Ford Madox Brown
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Self-Portrait - Ford Madox Brown
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The Death of Sir Tristan, from 'The Story of Tristan and Isolde' - Ford Madox Brown
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Jesus Washing Peter's Feet - Ford Madox Brown
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Head of a Page Boy - Ford Madox Brown
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The Romans Building a Fort at Mancenion - Ford Madox Brown
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May Memories - Ford Madox Brown
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The Opening of the Bridgewater Canal, A.D. 1761 - Ford Madox Brown
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Bradshaw's Defence of Manchester, A.D. 1642 - Ford Madox Brown
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Take your Son, Sir - Ford Madox Brown
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The Proclamation Regarding Weights and Measures, A.D. 1556 - Ford Madox Brown
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Manfred on the Jungfrau - Ford Madox Brown
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The Expulsion of the Danes from Manchester - Ford Madox Brown
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John Kay, Inventor of the Fly Shuttle - Ford Madox Brown
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Chetham's Life Dream - Ford Madox Brown
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The Last of England - Ford Madox Brown
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Romeo and Juliet - Ford Madox Brown
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Henry Fawcett; Dame Millicent Garrett Fawcett - Ford Madox Brown
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Jacob and Joseph's Coat - Ford Madox Brown
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The Seeds and Fruit of English Poetry - Ford Madox Brown
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The Hayfield - Ford Madox Brown
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Artist Biography
Ford Madox Brown
Brown spent thirteen years on a single painting. Work (1852 to 1865) attempted to catalogue the entire social structure of Victorian England in one canvas: navvies digging, gentlemen watching, a flower seller, a street preacher, intellectuals (Thomas Carlyle and F.D. Maurice are identifiable), and layers of commentary on who labours and who benefits.
He was born in Calais in 1821, trained across Europe, and settled in London. Though never an official member of the Pre-Raphaelite Brotherhood, he was their most important older ally and the teacher who most shaped their ambitions. His insistence on painting outdoors in natural light, often to the point of physical discomfort, and his dense, moralising compositions made him a bridge between the Nazarenes he had studied with in Rome and the young English radicals who followed.
He also designed stained glass and furniture for Morris and Co. He died in 1893, at seventy-two.
He was born in Calais in 1821, trained across Europe, and settled in London. Though never an official member of the Pre-Raphaelite Brotherhood, he was their most important older ally and the teacher who most shaped their ambitions. His insistence on painting outdoors in natural light, often to the point of physical discomfort, and his dense, moralising compositions made him a bridge between the Nazarenes he had studied with in Rome and the young English radicals who followed.
He also designed stained glass and furniture for Morris and Co. He died in 1893, at seventy-two.
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