Mirror by Patrick Caulfield
Sausage by Patrick Caulfield
Still Life, Autumn Fashion by Patrick Caulfield
Vases of Flowers by Patrick Caulfield
Second Glass of Whisky by Patrick Caulfield
Still Life Ingredients by Patrick Caulfield
Inside a Weekend Cabin by Patrick Caulfield
Braque Curtain by Patrick Caulfield
Cigar by Patrick Caulfield
Interior with a Picture by Patrick Caulfield
Three Sausages by Patrick Caulfield
Hemingway Never Ate Here by Patrick Caulfield

Where to See Patrick Caulfield

23 museums worldwide

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About Patrick Caulfield

British · 1936–2005 · Pop Art

varnishing chocolates at Crosse and Blackwell before painting flat, bold interiors that looked like Pop Art but were not

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Patrick Caulfield's works are held in 23 museums worldwide, including Tate, Pallant House Gallery, and National Gallery of Art.

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🇬🇧 Kingdom of England

1 museum

🇪🇸 Spain

1 museum

🇬🇧 United Kingdom

18 museums

🇺🇸 United States

3 museums

Frequently Asked Questions

  • Where can I see Patrick Caulfield's work?
    To view work by Patrick Caulfield, begin with the public collections in the United Kingdom. Several London museums own his prints and paintings; these include the Tate, the Victoria & Albert Museum, the National Gallery, the National Portrait Gallery, and the Courtauld Institute Galleries. Outside London, try the Manchester Art Gallery, the Brighton Museum & Art Gallery, the Ulster Museum[2] (Belfast), the Scottish National Gallery of Modern Art (Edinburgh), the Aberdeen Art Gallery and Museum, the Walker Art Gallery (Liverpool), the Leeds City Art Gallery, and the Southampton Art Gallery. In the United States, see the collections at the Metropolitan Museum of Art (New York), the Museum of Modern Art (New York), the Los Angeles County Museum of Art, the Minneapolis Institute of Arts, the Virginia Museum of Fine Arts (Richmond), and the Wolfsonian at Florida International University (Miami Beach). There is also work at the Royal Ontario Museum in Toronto.
  • Where did Patrick Caulfield live?
    The biography states that Patrick Caulfield was born in Acton, and a street there was later renamed Caulfield Road in his honour. He studied at the Royal College of Art[5] in London, and returned to London in 1968 after a brief time in Malibu.
  • What should I know about Patrick Caulfield's prints?
    Patrick Caulfield (1936-2005) is known for his screenprints, often characterised by flat planes of colour enclosed by black lines. He studied at Chelsea School of Art (1956-1960) and the Royal College of Art[5] (1960-1963), and his work is associated with British Pop Art, although he rejected the label. Caulfield made prints throughout his career, sometimes working with Editions Alecto. His prints often rework or relate to his paintings. For example, the print *Ruins* (1964) shares its subject with a painting of the same year. Some prints, such as the *Suite 22*, are closely related as a series. His style often incorporates elements of photorealism alongside simplified, almost cartoonish, areas. Caulfield's prints frequently depict interiors or still lifes, using a limited colour palette to create a sense of coolness and detachment. He sometimes included areas of flat, unprinted paper as a compositional element. Later in his career, his prints became more complex, with greater variation in colour and texture.
  • Why are Patrick Caulfield's works important today?
    Patrick Caulfield (1936-2005) is known for his distinctive style of Pop Art. His paintings often depict commonplace objects and interiors. He simplifies these subjects into flat planes of colour, outlined with bold, black lines. This approach combines aspects of both representational and abstract art. Caulfield's importance stems from his unique approach to Pop Art. Unlike some of his contemporaries, who directly appropriated imagery from popular culture, Caulfield maintained a more detached and formal approach. His works engage with art history, referencing artists such as Juan Gris and Fernand Léger. "After Lunch" (1975) is a still life that demonstrates this. His use of colour is also significant. He often juxtaposed areas of bright, saturated colour with areas of monochrome. This creates a striking visual effect. Caulfield's paintings are characterised by their clarity and precision. His work offers a sophisticated commentary on the relationship between art and everyday life. His influence can be seen in the work of many contemporary artists who explore similar themes.
  • Who was Patrick Caulfield inspired by?
    Patrick Caulfield decided to become an artist after watching the 1952 film Moulin Rouge about Toulouse-Lautrec.
  • What techniques or materials did Patrick Caulfield use?
    Patrick Caulfield is known for paintings that combine flat areas of colour with bold, black lines. He often depicted commonplace objects and interiors in a style that is both representational and abstract. Caulfield's early work, such as the painting *View of the Rooftops* (1963), used hardboard and household paint. This gave his pictures a flat, graphic quality. He sometimes incorporated areas of textured paint to create contrast. Screenprinting was another technique Caulfield used, attracted by its capacity for producing flat, unmodulated colour. He produced many prints throughout his career, including a series based on poems by Jules Laforgue. These prints demonstrate his interest in line, colour, and simplified forms. Later in his career, Caulfield began to incorporate more subtle tonal variations and details into his work. He would sometimes include areas of photorealism within his otherwise stylised compositions. This can be seen in paintings such as *After Lunch* (1975), which includes a photo-realistic still-life element.
  • Who did Patrick Caulfield influence?
    Patrick Caulfield's cool, impersonal style, coupled with his use of acrylic and commercial household paint, has affinities with Pop art, Op art, and Arte Povera. Although it is difficult to identify specific artists directly influenced by him, Caulfield's work shares characteristics with that of other artists. His paintings have a shared outlook with American artists. Like David Hockney, Caulfield worked in acrylic or commercial household paint for a time. Some critics have compared the edge-bounded forms in Richard Diebenkorn's art to Henri Matisse's paintings from his Cubism-exploring years. Ed Ruscha's still lifes have been interpreted as satire of Morris Louis's Color Field paintings. Richard Hamilton mixed conventions, such as diagrams and photographs, with sensuous paint.
  • Who influenced Patrick Caulfield?
    Patrick Caulfield's artistic development involved a range of influences, from early modern masters to Pop Art contemporaries. Studying at the Royal College of Art[5] between 1956 and 1960, Caulfield encountered American abstract expressionism; however, he found it less compelling than the work of artists such as Juan Gris, Fernand Léger, and Giorgio Morandi. These painters offered Caulfield approaches to form and composition that resonated with his artistic sensibilities. Caulfield's work also shows the impact of Pop Art. Although he resisted being labelled a Pop artist, the movement's interest in everyday imagery and commercial techniques informed his practice. Caulfield shared Pop Art's engagement with popular culture, but he maintained a distinct aesthetic. His use of flat colour and bold outlines, combined with an interest in formal structure, set him apart. By synthesising these diverse influences, Caulfield created a unique and recognisable style.

Sources

Where to See guide aggregates verified holdings of Patrick Caulfield's works across the following collections.

  1. [1] museum Government Art Collection Used for: museum holdings.
  2. [2] museum Ulster Museum Used for: museum holdings.
  3. [3] museum National Galleries Scotland Used for: museum holdings.
  4. [4] museum Royal Academy of Arts Used for: museum holdings.
  5. [5] museum Royal College of Art Used for: museum holdings.
  6. [6] museum Whitworth Art Gallery Used for: museum holdings.
  7. [7] book Hodge, Susie;, Artists at Home Used for: museum holdings.
  8. [8] book Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author, Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author - The Art Book_ New Edition, Mini Format Used for: stylistic analysis.
  9. [9] book guggenheim-museum00solo Used for: stylistic analysis.
  10. [10] book guggenheim-richardhamilton00hami Used for: biography.
  11. [11] book Masterpieces of western art : a history of art in 900 individual studies from the Gothic to the present day Used for: biography.
  12. [12] book David Hockney, Secret knowledge _ rediscovering the lost techniques of the old masters Used for: biography.
  13. [13] book Beckett, Wendy, Sister Wendy's odyssey : a journey of artistic discovery Used for: biography.
  14. [14] book Anfam, David A;Callen, Anthea. Techniques of the impressionists, Techniques of the great masters of art Used for: biography, stylistic analysis.
  15. [15] book Landauer, Susan, The not-so-still life : a century of California painting and sculpture Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-05-30. Click a source for details, or hover over [N] in the page above to preview.

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