Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.









Paul Gauguin's 'I Raro Te Oviri (Under the Pandanus)' captures the vibrant colours and exotic allure of Tahiti. This Post-Impressionist masterpiece brings a touch of paradise to any space.
Paul Gauguin's 'I Raro Te Oviri (Under the Pandanus)', painted in 1891, exemplifies his Post-Impressionist style and fascination with Polynesian culture. During his time in Tahiti, Gauguin sought to capture the essence of a simpler, more authentic way of life, far removed from the industrialised West. This painting depicts two Tahitian women in a lush, tropical landscape. One woman, bare-breasted and adorned with simple jewellery, stands serenely, while the other, clothed in a white top and dark skirt, carries a branch laden with fruit. A black dog wanders between them, adding a touch of domesticity to the scene. The vibrant colours and flattened perspective are characteristic of Gauguin's style, creating a dreamlike and evocative atmosphere. The title, 'Under the Pandanus', refers to the native tree, further grounding the scene in its Tahitian context. As a fine art print, 'I Raro Te Oviri' brings a touch of exoticism and artistic flair to any interior. Its rich colours and intriguing subject matter make it a captivating focal point for a living room, study, or hallway, inviting viewers to escape into Gauguin's vision of paradise.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Eugène Henri Paul Gauguin (1848-1903) was a leading French Post-Impressionist artist whose bold experiments in colour and form synthesised a new, modern style. Though born in Paris, Gauguin spent his early childhood in Peru, an experience that instilled in him a lifelong wanderlust and a fascination with the exotic. He began his career as a stockbroker, only turning to art in his late twenties after being inspired by the Impressionists. Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism. Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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