Landscape with St. Matthew and the Angel - Nicolas Poussin
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Description
A serene Baroque composition by Nicolas Poussin, depicting St. Matthew receiving divine inspiration amidst classical ruins and a tranquil river setting.
Nicolas Poussin, a central figure of the French Baroque, produced this work during his mature period in Rome. The composition demonstrates his mastery of the heroic mode, where human figures are integrated into a carefully constructed natural environment. St. Matthew is depicted seated amongst classical ruins, receiving divine inspiration from an angel. The scene is not merely a biblical narrative, but a meditation on the relationship between human endeavour and the natural world.
The setting features a winding river that draws the eye towards a distant, sunlit city. Poussin employs a balanced arrangement of trees and architectural fragments to frame the foreground, creating a sense of order and stability. The light is diffused, casting a calm atmosphere over the scene, which contrasts with the dramatic tension often found in other Baroque works of the era. The ruins serve as a reminder of the passage of time, grounding the spiritual encounter in a tangible, historical context.
Poussin was deeply influenced by the study of antiquity and the works of Titian and Annibale Carracci. His approach to painting was intellectual, prioritising clarity and structure over emotional excess. The figures are rendered with precise anatomical detail, while the surrounding environment is painted with a focus on atmospheric perspective. This work reflects the artist's ability to synthesise classical ideals with a rigorous approach to composition. The result is a scene that feels both timeless and deliberate, inviting the viewer to observe the quiet interaction between the saint and his celestial visitor. This print captures the subtle gradations of colour and the structural integrity of the original oil painting, making it an excellent choice for those who appreciate the disciplined aesthetic of the seventeenth-century French school.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Landscape with St. Matthew and the Angel - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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