Still Life with Lemon and Glass - Paul Gauguin
Archival giclée
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Description
An early still life by Paul Gauguin, featuring a ceramic vessel and a lemon on a yellow cloth, painted with a focus on light and texture.
This early work by Paul Gauguin demonstrates his initial engagement with the traditions of still life painting before his departure for Tahiti. The composition features a heavy ceramic vessel, a glass carafe, and a single lemon placed upon a bright yellow cloth. The objects sit on a table positioned near a window, which provides a subtle source of light from the left side of the frame.
Gauguin employs a thick application of paint, particularly on the yellow tablecloth, which creates a textured surface that catches the light. The background remains dark and relatively indistinct, pushing the domestic objects forward into the viewer's space. This approach reflects the influence of his contemporaries, particularly Camille Pissarro, who encouraged Gauguin to explore the effects of light and colour in his early career.
The arrangement is modest, focusing on the interplay between the opaque ceramic form and the transparency of the glass. The lemon acts as a point of visual interest, its bright tone contrasting with the muted, earthy hues of the vessel and the shadowed background. Unlike his later, more symbolic works, this painting shows a disciplined observation of physical form and light. It provides a view into the artist's formative years in Paris, where he balanced his career as a stockbroker with his growing dedication to painting. The work is a study in domestic quietude, capturing a brief moment of stillness in a private interior. The brushwork is deliberate, showing the artist's focus on capturing the weight and volume of the objects rather than purely decorative concerns. This print captures the tactile quality of the original oil paint, preserving the specific light conditions and the sombre atmosphere of the scene.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Still Life with Lemon and Glass - Paul Gauguin
Artist Biography
Paul Gauguin
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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